Відео

Fine !

an inexhaustible network of relationships

Seeing one of the rare live performances of this masterpiece (Ruhrtriennale, Bochum Gebläsehalle) was the ABSOLUTE highlight of my 'musical career'. The audience was in the middle of the hall, while the four orchestras and four choirs sat in a, well, "Carreé around us. We were told that there would be two performances of this piece, which at first we found very strange. At the first one, I listened, but out of curiosity, I also looked at what was going on around me. I mean, four orchestras and four choirs, that's rare. When the concert was over, I said to myself: "That was good", but not extraordinary. And then they told us: "After the break, please change seats, find another seat anywhere", which at first we thought was strange again. But what a difference! During the second performance, I sat closer to the centre and closed my eyes. Then something special happened: the music and singing swirled around me from all four corners. I'd never 'experienced' music like that before, and I never have since. What a genius Stockhausen was!

Elmer Berenstein based the theme of the seven magnificent in this composition. Just saying.

Performance com andamentos arrastados, e sem a força que essa obra pede. Ou a OSB não estava nos seus melhores dias, ou esse maestro não soube conduzir a obra com a energia adequada. Alias a OSB sempre teve altos e baixos na qualidade musical ao longo de sua história e de acordo com quem esteve como diretor artistico em cada época, além de crises financeiras e administrativas que a orquestra passou em vários períodos. Sugiro que ouçam a gravação feita pelo próprio Villa-Lobos nos anos 50 com a Symphony of the Air para verem a forma adequada de se interpretar essa obra.

OMG

Wonderful music. Pleasant and good performance . I advise to pay attention to his symphonies.

Awesome!!!😊

Vous entendez aussi les "citations" de la "Messe pour le temps présent" de Pierre Henry à partir de 2'56 ?

When was this recorded?

I think Foss composed this work in 1968, then revised it in 1969.

Saudades de quando se cantava com o maestro Roberto Manzo ...... maravilhoso!!!

The mark of a musician who truly understands the soul of the organ is one who understands how to work with the resonance of his space... too many organists continue to play at a rhythm without respect for the resonance of a room. The following echo and silence are part of the performance as a brilliant fanfare. Without silence, the fanfare just becomes noise 🥸

00:00 I. (Chor: 4:37) 05:25 II. 07:09 III. (Chor: 7:34) 09:02 IV. (Chor: 10:10, Solo: 11:20, Chor: 11:56) 13:27 V. (Chor: 14:06) 15:05 VI. 17:37 VII. (Solo: 20:48, Chor: 22:09) 23:33 VIII. 32:55 IX. 34:58 X. 37:36 XI. (Chor T/B: 40:23, Mädchenchor: 41:50, Chor: 42:44)

This is such beuatiful and intelligent music ! .. TYou have to open your ears to a new type of harmony and new type of melody ... and of course, Hauer is far superios to Schoenberg ... and Hauer ORIGINATED the 12 tone idea, before the other guy ... ut Hauer is a Mystic ... his mysic has transcendantal qualities no other music has, beucase the other composers were NOT transcendtal .. Hauer bridges into the Fourth DImension ... Schoenberg knows nothing of it at all ... and it dismays me that humanity and academics have been, of course, blind to the greatness of this music and to Hauer. Being "Un-famous" has nothing to do with the quality of art or usic ... the greatest musicians and the greatest artists are still unnown ....

Quite beautiful; thank you for uploading.

良きです

8:54 im gonna sample the sh*t out of it

良きです

McCartney must somehow have heard this.

Musica tan aburrida de este cretino no me transmite nada

Has anyone put Berio's "Divertimento" (1957), the one for electric guitar and orchestra, on UA-cam?

❤

this shit just sounds out of tune bruh. this clown of a composer thought he did something here huh. fucking cringe

Welche Abgründe, welch tiefe Zartheit in dieser jungen, vom Tod gezeichneten Frauenseele...

Although much of Tippett's large scale later work was uneven -- and the last three operas had silly, home made, plots and libretti causing cringes galore -- he composed some masterpieces which are unjustly dismissed. This is one of them and it helps to know the Wallace Stevens poem upon which it is sort of commentary. There are subtle quotes from two Britten works and a curious reference to a motif from Bartók's 5th string quartet which appears four times. The piece needs listening to a few times then it somehow sticks and thrives in a fertile mind. That happens a lot with Tippett and, after some years of neglect, younger musicians are finding this important composer anew.

Schnittke's music will live FOREEVER, It speaks to the depths of humanity

Es geht hier um sagenhafte unbeschreibliche Erlebnisse im Dasein, als der Ort überhaupt den wir glauben zu erfahren, mit unendlichen Räumen und Wohnungen voller Wunder.

This music can also be heard in the 1997 Joel McNeely/Royal Scottish National Symphony recording of PSYCHO track 39 ''Discovery'' 16:36 Obviously Herrmann intended to use more music from his sinfonietta for PSYCHO.

Passion, pathos, expressive

CDもってるよ　３０年前くらいに買ったよ

Many thanks to Wellesz and UA-cam: you're not likely to hear music by Sessions and his American contemporaries on the radio or in live concerts. This quartet is new to me - as a violist, I'm particularly impressed with the contrapuntal quality of Sessions' writing: voices in balance, every part lucid and - despite comments to the contrary - often very moving.

Is it really from 1953? The sound quality is more like from 10 years later at least...

A great concerto. No matter how disdonant the harmony Flagello never forgets his sense of melody. Most enjoyable. He wrote 3 fine piano concertos.

武満さんの素晴らしい作品を、愛してくれる方々がこれだけ世界中にいる事の嬉しさ…😊

This may well be the first Concerto for Orchestra. Bartok, Hindemith, Piston all came after with theirs. This is outstanding in it's rhythm and clarity of neo classism.. Chromatic but still total. There is true ingenuity in this finely crafted and I just Love It. It's so Not German , Not Russian , Not French, Not British. It's Cassela !

Painting by Nicholas Roerich who designed the sets for the Rite of Spring.

Absolutely brilliant composer, with some of the most elaborate and elegant masterpieces I have ever heard.

Exceptional. This Concerto seems so Unique. Iconoclastic !

The cover image is not a Japanese art. It's a photograph by Chinese photographer 单雄威（Don Hong-Oai）. ua-cam.com/video/fWC6U0vdcmQ/v-deo.html

absolutely beautiful idk why i love this soo much

A perfect upload. The sound is forward and clear. Many thanks for uploading this treasure.

A quality upload. The sound is somewhat dated but forward and clear. Many thanks for this underrated treasure.

I have always loved this work. Thank you for sharing. It isn't performed enough.

Who's kidding who. This is rubbish

And don't forget the machine that goes PIIIING!.. very expensive machine.

japan garden?

danny elfman

A great recording of a great symphony.

Its good to hear someone being Mahler and Richard Strauss besides Mahler and Richard Strauss ! But seriously this is a great Symphony. I enjoy it so much. I have to definitely seek out the rest of his music. If its anything like this symphony then Holy Cow!!! This alone will take many listenings to catch every nuance. Thanks for valuable discovery !